"PISA (Dintorni) Colane – Viale con alberi."
(PISA (Surrounding Area) Coltane – tree-lined avenue)
archiv nr. 39346
gelatin silver print
photographer, title, and year included
Photograph from a collection of tourism photographs from the first half of the 20th century, issued by Italian tourism boards. High-quality works by renowned studios, such as the Alinari brothers, were frequently used to promote Italy as a travel destination. With the West German Economic Miracle (Wirtschaftswunder) of the 1950s, these idealized images of longing became a reality: rising prosperity and increased leisure time transformed vacations into a status symbol. Italy – particularly the Riviera and the Adriatic coast – became the number one destination of choice. By the mid-1950s, 4.5 million Germans were already traveling across the Alps, marking the beginning of modern mass tourism.1
The tree-lined avenue in Coltano near Pisa is a characteristic testament to the classic cultural landscape of Tuscany in the early 20th century. Flanked by densely grown stone pines, the passageway located near today's Migliarino-San Rossore-Massaciuccoli Natural Park is striking for its pronounced depth effect and the play of light and shadow on the unpaved path. Reflecting the traditional, nature-evoking image of longing for the Tuscan countryside, the rural idyll is situated close to the former agricultural estate of the Medici. Furthermore, the photograph documents a historical landscape before the profound infrastructural and agricultural changes of the subsequent post-war decades.
The photograph comes from the famous Alinari studio, which was founded in Florence in 1852 by the brothers Leopoldo, Romualdo, and Giuseppe Alinari. The photographic studio is considered the oldest and most significant enterprise for photography and visual documentation worldwide. The institution achieved global renown through its systematic, masterfully crafted documentation of the cultural and architectural heritage of Tuscany. Created in the late 19th and early 20th centuries, their photographs are characterized by outstanding contrast sharpness and precise image composition. The images produced by the house of Alinari decisively shaped Italy's visual identity and served for decades as key motifs of longing for international cultural tourism.
(Christoph Fuchs)
Note
1
"Geteiltes Deutschland: Modernisierung. Bundesrepublik im Wandel. Tourismus", Lebendiges Museum online, Deutsches Historisches Museum, https://www.hdg.de/lemo/kapitel/geteiltes-deutschland-modernisierung/bundesrepublik-im-wandel/tourismus.html (accessed 26.6.2026)




















































![S-3111, Achille Villani & Figli, "Ravenna. [Sar]cofagi che [la] tradizione [at]tribuiva [a Galla Pla]cidia, mer[avi]glio[samen]te i[ll]uminati. La lune[tta mostra s]una gra[ticola e il] martir[e S. Lorenzo]", 1950s](/y/images/Hauptansichten/S_3111_full.jpg)

