"Negativbearbeitung 16"

gelatin silver print on baryta

signed, titled, dated (pencil) and artist stamp on verso

During this negative processing, the negative was mechanically and especially chemically processed and then transferred to paper in the conventional manner using an enlarger. The photo paper exposed in this way is then processed in photochemistry. The resulting picture was "painted" on the negative itself without a camera.
(Christoph Fuchs)